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Dear Cat Power

I’m not really sure where this relationship is going anymore, Chan. You’ve changed so since I first met you almost six years ago, and now I feel as though we’re going in entirely separate directions. Before seeing you last summer, I had heard rumors that you had changed your tune, but I would never have guessed it would have been so drastic. I was certainly glad to hear you sounding more self-confident than usual, but frankly, I miss your old alcoholic, insecure, emotionally unstable self back when you had records like Moon Pix and The Covers Record under your belt.

It felt as though we were beginning to drift apart a couple years ago when you recorded The Greatest, an album that seemed to tell me you were trying to win over more clean-cut, mainstream guys. But now with this record, Jukebox, it’s obvious to me that I was right; not even your attempt to woo me by rehiring your Moon Pix-era band could fool me into believing that I’m still your main man.

Really, though, Chan; your covers of “New York, New York” and “Don’t Explain” just sound empty and devoid of your typical emotive charm, and even Joni’s latest disappointment of a record could beat your embarrassing stab at “Blue.” Your version of Dylan’s “I Believe in You” is a slight improvement and, admittedly, the two originals here – both the reworking of Moon Pix’s “Metal Heart” and the newly written “Song to Bobby” – aren’t half bad. But other than that, I’m afraid your renewed love for cover songs has proved to be a bit of an artistic difference in our relationship.

I miss you terribly, Chan. When you get tired of hanging out with Norah and Corinne and those other wretchedly boring friends of yours, gimme a ring and we can get back together and pick up our lo-fi indie rock love affair where it left off.

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